Cry Havoc Company 2/5/23 Cry Havoc Company 2/5/23

HAVOC for the Holidays

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Cry Havoc Company 2/5/23 Cry Havoc Company 2/5/23

Actor Type - Making the Most of Who You Are

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Cry Havoc Company 2/5/23 Cry Havoc Company 2/5/23

Monologues

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Cry Havoc Company 2/5/23 Cry Havoc Company 2/5/23

Objectives and Obstacles

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Cry Havoc Company 2/5/23 Cry Havoc Company 2/5/23

Nudity and Sexuality in Rehearsal and Performance

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Playing the Villain

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Acting in Musicals

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Playwriting Series - Part II: First Draft

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Creative Feedback: Putting it to Good Use

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Goal Setting as an Actors' Tool

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Playwriting Series - Part I: Getting Ready to Write

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Violence on Stage and in Rehearsal

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Auditioning

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Working on the Road

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Rehearsal Etiquette

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Improvisation as an Actors' Tool

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Cry Havoc Company 2/3/23 Cry Havoc Company 2/3/23

Character History

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Cry Havoc Company 5/28/19 Cry Havoc Company 5/28/19

Elements of a Well Written Play

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